Saturday 25 August 2012

Blog



Today blogs are being used for all sorts of purposes. You have companies that use blogs to communicate and interact with customers and other stake holders. Newspapers that incorporated blogs to their main website to offer a new channel for their writers. Individuals that created a blog to share with the world their expertise on specific topics. And so on. Now for me, Blog some how let me find out a lot of inspiration. The article that written, the photo that taken and the design by the famous blogger is always one of the source to inspire me.

Monday 20 August 2012

CUTOUT

Last time was a famous designer came to our University go give us a speech. In the speech he mention a brand new Malaysia product magazine, that was CUTOUT. CUTOUT Magazine was the first designer magazine that publish by Jay Lim. CUTOUT is Malaysia's popular design magazine for graphic designers and students taking art and design courses. Every issue you'll find inspiration, information and industry advice. CUTOUT contains insights on the design industry from Southeast Asia covering graphic design, pop culture and everything in between.




After the speech end, they bring the product and promote to us and encourage student to buy and keep it for the future inspire. And me is also bought one of the illustrator teaching magazine to keep for my future assignment purpose.  

Wednesday 15 August 2012

Liew Kung Yu artwork


August 15 2012, Mr.Ray introduce us the artwork of Liew Kung Yu, the art work comprises 4 epic, elaborately and insanely layered photo-collages that measure 20 x 7 feet each. It is high kitsch, awe-inspiring and overwhelming. My eyes were impatiently devouring the visual feast as there are far too many details to focus on. The details of the artwork is impressing me and gray my eyes into the layer by layer.

Thursday 9 August 2012

Tips to be creative

There are times when me draw blanks when it comes to the productive process of creating a artwork, either through the lack of inspiration, passion or imagination. I like to to shoot pictures, when shooting something no matter what, the idea will slowly appear and clear enough to let me complete my job. So I’ve decided to share some tips that often help me stay out of this problem.

Create a “graveyard” photo album in your smart phone and when you stumble onto something, some place, or just some other artists idea in your normal everyday life, capture it with your camera phone then place it in that album for future reference. Yes, artists often are inspired by other artists, the key here, is take what you captured and refine it to your style. If you’re not into iPhones, iPads, or some smart digital device, then carry a traditional note pad, the kind that fits in your pocket or pocket book. That note pad not only becomes your analog graveyard file, but it’s your creative sourcebook, so keep it for creative topics and ideas only.

Second, Have an open mind about things, not a closed minded attitude. A great way to look at this is to ask yourself, questions—open-ended questions. Close-ended questions result in only “yes” or “no” answers while open-ended questions require an explanation. It’s in these explanations that you’ll start to form ideas, or photographic concepts. As an example, don’t ask yourself, “Is the sky blue today,” instead ask yourself, “How can I change the color or saturation of the sky?”

Feeling tired during this boredom? Then break out your latest brew of tea or coffee, sometimes that caffeine jolt can do the trick. And if you don’t drink coffee like me, then Red Bull does wonders, though I seriously doubt you’ll grow wings, but it will jump start your day.

Now these are just tips that hopefully will inspire your creative mind.^^

Wednesday 25 July 2012

The Shape of Design

We were impressed with designer, writer and teacher Frank Chimero and his kickstarter campaign last year to fund the book, The Shape of Design. Chimero wanted to create not another text-book, but rather a book that focuses on the Why instead of the How and to investigate the creative processes behind design. After many hours of labor, the book’s been released and the design world is abuzz. In his own words, Chimero describes his book:

What is the primary quality of great design? It moves. It moves us emotionally, travels from person to person, and takes us toward something better. Designers connect and build bridges that lead us to new places and expand what is possible. We tell productive untruths, then toil to make them reality. The practice shifts like a shadow and moves the target. When it does so, the products of design achieve a resonance. They get passed on like a story and turn into a gift.

Book Summary

Hi. My name's Frank Chimero. I've spent the better part of the last two years writing and speaking on design and thinking about the topics that orbit the practice: storytelling, concept, craft, and improvisation. I want to take all of the ideas I've had and connected these past few months and capture them in a book format.
I've been teaching for the past 5 years, and I've always been a bit frustrated that there isn't a nice, concise book that overviews the mental state of a successful designer while they go through their creative process. For instance, many say that graphic design is visual communication. A cornerstone of communication is storytelling, and yet you'd be hard-pressed to find any discussion of how to tell stories with design in any design book. This should be remedied.
There are new challenges in the world that need to be discussed, and I think design is a prime lens to consider these topics. As our world moves faster and as things become less stable, it becomes more important for individuals to embrace ambiguity, understand paradox, and realize that two things can conflict and still somehow both be true. We must realize that logic doesn't always work, and that sometimes nonsense is the best answer. These are the topics I intend to address in the book.
The Shape of Design isn't going to be a text book. The project will be focused on Why instead of How. We have enough How; it's time for a thoughtful analysis of our practice and its characteristics so we can better practice our craft. After reading the book, I want you to look at what you do in a whole new light. Design is more than working for clients.
But really, this book aims to look at the mindset and worldview that designing develops in order to answer one big, important question: How can we make things that help all of us live better?

The Dark knight rises


The spectacular, monolithic final movie in Christopher Nolan's Batman trilogy is like a huge piece of industrial machinery: massive, grimly and brutally metallic, capable of lifting great weights and swinging the mightiest wrecking balls, but taking its time about it.
A slinky, sexy cat burglar, played by Anne Hathaway, shows up in disguise at a charity fundraiser at Wayne Manor with lawbreaking on her mind. But more scary still, a sinister super-villain, aptly called Bane, is planning to lead an insurrection of underground warriors to destroy the city and take on the Dark Knight. He is a muscular slab of a man with an evil hold on his many followers, and with a hideous facial disfigurement, concealed by a creepy leather respiration mask. As played by Tom Hardy, Bane has presence and force, no question about it. But Heath Ledger's Joker had more charisma, more style, a limber and nimble-footed wickedness. And the Joker had one particular demonic superpower that Bane does not have. You could make out what he was saying.The Batman (even after nearly a decade, no one in Gotham forgoes the definite article) has now been absent from the city for many years, and the city is happy with the specious explanation that the authorities have provided: namely, that the city's late District Attorney Harvey Dent (Aaron Eckhart) heroically gave his life fighting crime, and the Dark Knight, the arch-criminal, has slunk away. Billionaire philanthropist Bruce Wayne has gone into reclusive retirement: both are of course played with intelligence and no little charm by Christian Bale. But now two new subversive figures have burst on to the scene.
This movie is operatic, crepuscular, portentous, a vision of apocalyptic catastrophe – and there are some great things in it. Christian Bale himself brings an interesting kind of wounded maturity to the double role, and Nolan elicits from Bale a performance which gives both Bruce Wayne and Batman a new life, as separate entities, by investigating their vulnerabilities and paranoia. When the Dark Knight returns, astride his extraordinary fat-wheeled motorbike, it's really exciting. Joseph Gordon-Levitt gives a terrific performance as the young, idealistic police officer, Detective Blake, and Michael Caine is a calm, shrewd, heartfelt Alfred. 
But the film is clotted and extended with tiring and sometimes baffling subplots concerning the frankly uninteresting shenanigans of the Wayne Enterprises Board: there is some manoeuvring and personal petitioning from one Miranda Tate, played by Marion Cotillard, who shows herself in later sequences to be not a natural action performer.
And I have to say I found Bane disappointing: his character promised much, but didn't quite deliver. The Joker's conflict with Batman was at least partly a cerebral affair, a matter of outsmarting and counter-outsmarting, and Bale raised his game in confrontation with Heath Ledger, who gave us a genuinely evil movie villain.
The Dark Knight Rises certainly confirms the weapons that Christopher Nolan can wield as a director: this is a big, brash, plausible movie on a self-consciously epic scale, a deafening superhero Bayreuth, taking place in a gloomy, almost physical smog of testosterone. It will certainly be a commercial smash, and you have to admire the confidence with which Christopher Nolan insists on the seriousness of the Batman mythology; he has thoroughly reinvented it, reauthored it and thought it through, in a way no other director has done with any other summer franchise.




Creativity

     Creativity is ability to imagine or invent something new. Human brain is separate into two side, left side is for logical thinking to manage analytic, probability, objective and verbal things. Right side is for creative thinking such as generative, possibility, subjective and visual things. So, creative thinking is not a talent, it is a skill that can be learnt. It empowers people by adding strength to their natural abilities which improves teamwork, productivity and where appropriate profits.
     why do we care? Harvey firestone said:"capital isn't so important in business. Experience isn't so important. You can get both things. What is important is ideas. If you have ideas, you have the main asset you need, and there isn't any limit to what you can do whit you business and you life." Edward De Bono said:" there is no doubt that creativity most important human resource of all. Without creativity, there would be no progress, and we would be forever repeating the same patterns."
     Idea = performance = career, so allow us to experience more and appreciate all the things that are around us. If we do like that than our world will becomes much interesting and all the problem can solve easily and in a fun way.